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PEM (General)
irene.fiori - 17:33 Tuesday 21 May 2019 (8923) Print this report
Some comparison of kagra and virgo PEM

Irene, Federico

Figure 1 compares Kagra seism (PEM-SEIS_EXV_GND_X) and Virgo End station (Guralp 60T, here one horizontal channel): while Microseism region is similar, in the region between 1 and 30Hz kagra is 10 to 100 times quiter(wow!), above 30Hz seism increases (both Virgo and kagra), but in this region likely the seimometers's response is probably not flat.

Figure 2 compares sound spectra in Kagra center area (we used the Virgo infrasound microphone B&K 4193 that we carried with us) and Virgo central experimental hall now during O3 science mode (same model of microphone). NOTE that at Kagra during this period of time the center area was silenced by switching off several fans (see 8887). See that the acoustic noise level is similar(!).

Figure 3 compares magnetic spectra at KAGRA and Virgo (Metronix MFS-06 magnetometer). In this plot the PEM-MAG_BS_BOOTH magnetometer was temporary placed next to the IYC cryocooler (see 8881) that probably explains some of the noise peaks (1.6Hz and 1.6Hz spaced sidebands around 31Hz for example).

Figure 4 (similar to figure 3) compares Virgo magnetometer with KAGRA magnetometer at EYC.

 

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PEM (Center)
irene.fiori - 14:41 Tuesday 21 May 2019 (8920) Print this report
Comment to Acoustic Injection at the center area (8887)
Washimi, TanakaT, Irene, Federico, Eleonora.Polini, Takaki.Yokozawa

On May 17 we returned to Center area and, in addition to the above, we also switched off:
MCE booth air filters
MCF booth air filters
IYC cooler and fan
IXC cooler and fan
Big air compressor

In Figure 1 is a picture of the microphone in center area.

In Figure 2 we show microphone spectra: blue=before switching off devices (typical condition at present), red = after switch off of devices (note this picture is from the yesterday switch off so the here mentioned devices were still on), green = when we inject white noise to the loudspeaker.

We injected white noise to the loudspeaker (DAC level of 10000). And we abruptly interrupt the sound by unplugging the loudspeaker. We repeated the same three times.

Here a rough analysis of the data.

Figure 3 shows the time decay of the sound. Blue is unfiltered, red is applying high-pass filter above 100Hz (see from Figure 2 that below 100Hz we are not able to overcome the background noise, so this part is useless).

Figure 4 shows the "sound pressure Level" in dB which is computed from microphone RMS (Prms) as: L(i)=20*log10(Prms(i)/Pref), Pref = 20 microPa, in steps of 0.02s. Also shown is a linear fit of the sound decay. From the slope of the fit it is computed the "reverberation time" or RT60 that is the time in which the sound pressure level (or rms) reduces by 60dB, according to this reference: https://en.wikipedia.org/wiki/Reverberation

Figure 5 is the similar plot of the second measurement.

Figure 6 is the similar plot of the third measurement. In this case, we attempted independent fit for the first part and the second part of the decay, as it is evident that all cannot be explained with a single exponential decay.

Table with rough results:
measure.n RT60[s] comment
1 1.2
2 1.0 fit looks not so nice
3 0.8, 1.7 average = 1.25


Conclusions:
-------------
A rough measurement of Kagra center hall reverberation above 100Hz is 1.2s.
For comparison RT60 of the Virgo experimental halls is about 4.5 s: see https://tds.virgo-gw.eu/ql/?c=13570) and https://logbook.virgo-gw.eu/virgo/?r=42991
The much larger decay time of Virgo it is likely due to the fact that the walls are made of concrete or clean panels which are very reflective, while Kagra walls have rough surface (that helps a lot!)
The fact that the decay time cannot be explained with a single decay is first because reverberation time typically depends on frequency, and becomes shorter for high frequencies. This effect is clearly measured at Virgo (see same references)
The Kagra measurement can (if needed) be improved by increasing the level of injected noise. This was done at Virgo using the impulsive noise generated by exploding firecrackers.
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